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title
Being Human
artist
Annie Abrahams
intro
Being Human is the name of a collection of dynamic, interlinked, net specific works in which Annie Abrahams explores the possibilities and limits of online communication.

The internet has radically altered our ways of communicating. The physical absence of the ‘other’ in our interaction with, and contact through, a computer screen (be it via a webcam, email, or social media) makes online communication an activity that is ultimately performed alone. Being Human questions notions of identity and connectedness, while relating to our contemporary networked society. What does it mean to be human within these networked circumstances?

As Abrahams states on her website, “[t]he site [Being Human] is based on the idea that the internet is an artistic medium that permits addressing people in their own intimacy, non-mediated by an art context.” The webpages present content that can be described as ‘digital poetry’ in the form of questions, statements, or advice, that express emotional needs, moods, and desires, which relate to connectedness with others or address solitude. By clicking through the pages, selecting words or statements from multiple choice propositions, adding or replacing existent information, the visitor is invited to participate in the creation of this exploratory landscape. The characteristic visual aesthetic of Being Human is a significant element that contributes to its look-and-feel. A simple and straightforward design that combines specific choices in colour and typography, and which also includes embedded videos and other images.
biography artist
Annie Abrahams was born in 1954 into a Dutch farming family as the eldest of five sisters. She obtained a doctorate degree in biology in 1978 and worked as an assistant researcher and high school teacher before graduating from the art academy in Arnhem with a degree in painting in 1985. In 1987 she received a grant for artists from the Dutch government to employ her artistic practice for two years in France, where she has been living ever since. It was there that Abrahams started to work with computers, initially as a means to document and construct her painting installations. The computer triggered an interest in her for networking technologies, and starting in the mid-90s Abrahams began to produce networked performances and internet-specific works (which amongst other things incorporate collective reading and writing, videos, and net.art). “An aesthetics of trust and attention” 1is how she describes her body of work. Abrahams’ work has been exhibited worldwide, and her other activities include teaching, curating, and organizing events like symposia. She is also a frequent collaborator on projects with other artists such as Igor Stromajer, Curt Cloninger, and Clement Charmet.
keywords
internet, communication, website, digital poetry, interactive
images
[caption id="attachment_377" align="alignnone" width="640"] Annie Abrahams, Being Human, 2006. http://www.bram.org/indexwhy.html[/caption][caption id="attachment_378" align="alignnone" width="640"] Annie Abrahams, Being Human, 2007. http://www.bram.org/indexlake.html[/caption][caption id="attachment_374" align="alignnone" width="640"] Annie Abrahams, Being Human, 1997-1998. http://www.bram.org/index3.htm[/caption][caption id="attachment_375" align="alignnone" width="640"] Annie Abrahams, Being Human, 2003. http://www.bram.org/indextou[/caption][caption id="attachment_376" align="alignnone" width="640"] Annie Abrahams, Being Human, 2005. http://www.bram.org/indexsound.html[/caption]
year
1997-2007
website
aabrahams.wordpress.com

bram.org

bram.org (Being Human 2007)
bram.org (Being Human 2006)
bram.org (Being Human 2005)
bram.org (Being Human 2004)
bram.org (Being Human 2003)
bram.org (Being Human 1997/1998)
premiere
In 1998, Being Human was presented at various events:
  • The festival ‘Commuting’, SAEFAIR, Skopje, Macedonia,
  • The VI International Biennial of Experimental Poetry, Fractart, Mexico City, Mexico
  • The French-Baltic-Nordic Video and New Media Festival, Tallinn, Estonia.
software
Flash, Javascript, HTML, PHP
functionality
part of collection
production
Annie Abrahams uses simple PHP scripts to create her websites. The first website was created in 1997, and over the years the work has expanded into a conglomerate of interlinked websites. Between 2003 and 2007, a new website was added every year.
hardware
The visitor can view the work on a computer with an internet connection.
technical specs
The various interactive websites that make up Being Human employ Flash, PHP, and JavaScript
intention artistquote by artist
quote
“Being Human is a big interlinked universe that concentrates on the possibilities and limitations of communication on the net. So most works with a special entrance will automatically lead you to the other works. The site is based on the idea that the internet is an artistic medium that permits addressing people in their own intimacy, non-mediated by an art context. The work treats about questions of identity and discovering the other in his differences. The pieces invite visitors to express wishes, to get rid of pains, to receive comfort, to reflect on understanding, respect and his/her relation to the machine.

I am exploring the new identity and relational territories established on the net. By creating scene dialogue and emotional situations, "Being Human" leads the net surfer to wonder about the various communication rites which reveal and draw each of us into a new cartography of our contemporary being.”2


When studying biology I had to observe a colony of monkeys in a zoo. I found this very interesting because I learned something about human communities by watching the apes. In a certain way I watch the internet with the same appetite and interest. I consider it to be a universe where I can observe some aspects of human attitudes and behaviour without interfering.”3

“In fact, all of my work emanates from one big question: ‘How can we live in a world that we don’t understand?’. In my art I often act as a scientist. My work is experimental, in the sense that my performances are experiments. I ask a question. Then I create a situation, using formal protocols and rules, that I hope will give an answer to my question.”4
influence
context
Abrahams has performed and exhibited her work extensively worldwide, including at the Centre Pompidou (Paris, France); New Langton Arts (San Francisco, USA);  La Centrale (Montreal, Canada), Espai d'Art Contemporani de Castelló (Spain); the Museum of Contemporary Art (Tokyo, Japan); the Armenian Center for Contemporary Experimental Art (Yerevan, Armenia). Festivals include the Moscow Film Festival and the International Film Festival of Rotterdam, and online platforms such as Rhizome.org and Turbulence.
LITERATURE
Catlow, Ruth, and Marc Garrett. “Addictive Behaviours: Interview with Artist Annie Abrahams.” Furtherfield , 22 Oct. 2017, furtherfield.org.

Chatzichristodoulou, Maria. “Annie Abrahams. Allergic To Utopias.” Digicult | Digital Art, Design and Culture, 11 June 2016, digicult.it.

Chatzichristodoulou, Maria. “If Not You Not Me: Annie Abrahams and Life in the Networks.” Digimag, 54 May 2010, issuu.com/digicultlibrary.
part of active discussion
Stermitz, Evelin. “Artistic Textual and Performative Paths in New Media Correlations: An Interview with Annie Abrahams.” Rhizome, Nov. 2009, rhizome.org.
scene artists institutes
Rhizome, Furtherfield
footnote
“Please Smile on Your Neighbour in the Morning.”, bram.org.
ibid.
ibid.
Maria Chatzichristodoulou, “Annie Abrahams. Allergic To Utopias .” Digicult | Digital Art, Design and Culture, 11 June 2016, digicult.it.